Setup Time
20 Minutes
PRESONUS 16.4.2 DIGITAL MIXING DESK
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Power Type
Mains Connection
equipment size
Medium
suitable capacity
Up to 250 guests
PRODUCT HIRE PACKAGE
Product hire is £POA ex VAT (per day)
PRODUCT GALLERY
IMPORTANT INFORMATION
While every effort is made to provide you with the branded item you request, there may be occasions where an alternative replacement is provided. The alternative replacement will be as good as, or better, than the original requested item.
PRODUCT DESCRIPTION
Are you looking to hire a Live Sound mixing desk for your band in or around Guildford, Surrey or London?
Not sure whether it’s the right peace of Equipment for you? or maybe you just want to compare it to similar items and make your mind up from that.
We at True Sound Hire have composed a spec sheet of some of our most popular Live Sound Hire Equipment.
Please feel free to contact us if you cant not find what your looking for and we’ll be move than happy to run over everything with you, from CDJ Decks, iPod Sound Systems, Lighting to complete Live Band Package set ups we can help.
The Presonus StudioLive 16.4.2 digital mixing desk is the most powerful and flexible sixteen-channel digital mixer the world has seen making it perfect for live bands and hire.
Loaded with sixteen high headroom XMAX microphone preamplifiers, built-in 32×18 FireWire recording and playback engine, ‘Fat-Channel’ processing with 4-band EQ’s, compressors, limiters and gates, DSP effects, six aux buses, four sub-groups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback and more, breaking new boundaries for music performance and Live Sound Hire productions.
The Presonus StudioLive 16.4.2 StudioLive is loaded with everything needed for professional live sound production totaling 28 compressors, 28 limiters, 28 gates, 28 high pass filters, 2 stereo reverb/delay’s, 2 master stereo limiters and more, saving you loads of money on hire and trips from the trailer during load in/out.
All Presonus StudioLive digital effects are created and processed with 32-bit floating point precision for maximum sonic performance and enhanced musicality which will mak your live band sound stunning !
What to try a digital mixer which has more power than an Yamaha LS9 and which works faster and sounds better
Ok great give us a call today to find out about the hire of our Presonus StudioLive 16.4.2 desk.
PRODUCT VIDEO
TECHNICAL SPECIFICATIONS
Microphone Preamp 1-16 (XLR Balanced)
Type XLR Female, Balanced
Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5 dBu
Frequency Response to Main Output 20 Hz to 20 kHz ±0.5 dBu
Input Impedance (Balanced) 1 kΩ
THD to Direct Output < 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output -97 dB
S/N Ratio to Main Output -94 dB
Common Mode Rejection Ratio +65 dB
Gain Control Range -16 dB to +67 dB (± 1 dB)
Maximum Input Level (unity gain) +16 dBu
Phantom Power +48 VDC
Line Inputs
Type ¼” TRS Female, balanced mono
Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs 20-20 kHz, ±0.5 dBu
Input Impedance 10 kΩ
THD to Direct Output <0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output -105 dB
S/N Ratio to Main Output -94 dB
Gain Control Range (±1 dB) -20 dB to +20 dB
Maximum Input level (unity gain) +22 dBu
Tape Inputs
Type ¼” TRS Female, balanced mono
Maximum Input Level +10 dBu
Auxiliary Inputs
Type ¼” TRS Female, balanced (2 stereo pairs)
Maximum Input Level +22 dBu
Main Outputs
Type Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
Rated Output Level +24 dBu
Output Impedance 100Ω
Aux Outputs
Type ¼” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω
Subgroup Outputs
Type ¼” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω
Tape Outputs
Type RCA Female, unbalanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100Ω
Control Room Outputs
Type ¼” TRS Female, balanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100Ω
System Crosstalk
Input to Output -90 dBu
Adjacent Channels -87 dBu
Noise Gate / Expander
Threshold Range -84 dB to 0 dB
Attack Time 0.5 ms
Release Time 0.05s to 2s
Expander Attenuation Range 2:1
Noise Gate Attenuation Range ∞
Compressor
Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Attack Time 0.2 ms to 150 ms
Release Time 40 ms to 1000 ms
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee
EQ
Type 2nd-order shelving filter (Q = 0.55)
Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB
Low Mid 90 Hz to 1.2 kHz, ±15 dB
High Mid 380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
FireWire S400, 400 Mb/s
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24
Reference Level for 0 dBFS +18 dBu
Clock
Jitter <20 ps rms (20 Hz – 20 kHz)
Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)
Power/Environmental
Connector IEC
Input-Voltage Range 100 to 240V, 50-60 Hz
Power Requirements (continuous) 100W
Temperature Range 0-40 degrees Celsius
Physical
Length 22.35 inches (568.06 mm)
Width (chassis only) 17.22 inches (437.40 mm)
Width (with rack ears) 19 inches (482.60 mm)
Maximum Height 6.90 inches (175.26 mm)
Weight
23 lbs
Type XLR Female, Balanced
Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5 dBu
Frequency Response to Main Output 20 Hz to 20 kHz ±0.5 dBu
Input Impedance (Balanced) 1 kΩ
THD to Direct Output < 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output -97 dB
S/N Ratio to Main Output -94 dB
Common Mode Rejection Ratio +65 dB
Gain Control Range -16 dB to +67 dB (± 1 dB)
Maximum Input Level (unity gain) +16 dBu
Phantom Power +48 VDC
Line Inputs
Type ¼” TRS Female, balanced mono
Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs 20-20 kHz, ±0.5 dBu
Input Impedance 10 kΩ
THD to Direct Output <0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output -105 dB
S/N Ratio to Main Output -94 dB
Gain Control Range (±1 dB) -20 dB to +20 dB
Maximum Input level (unity gain) +22 dBu
Tape Inputs
Type ¼” TRS Female, balanced mono
Maximum Input Level +10 dBu
Auxiliary Inputs
Type ¼” TRS Female, balanced (2 stereo pairs)
Maximum Input Level +22 dBu
Main Outputs
Type Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
Rated Output Level +24 dBu
Output Impedance 100Ω
Aux Outputs
Type ¼” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω
Subgroup Outputs
Type ¼” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω
Tape Outputs
Type RCA Female, unbalanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100Ω
Control Room Outputs
Type ¼” TRS Female, balanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100Ω
System Crosstalk
Input to Output -90 dBu
Adjacent Channels -87 dBu
Noise Gate / Expander
Threshold Range -84 dB to 0 dB
Attack Time 0.5 ms
Release Time 0.05s to 2s
Expander Attenuation Range 2:1
Noise Gate Attenuation Range ∞
Compressor
Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Attack Time 0.2 ms to 150 ms
Release Time 40 ms to 1000 ms
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee
EQ
Type 2nd-order shelving filter (Q = 0.55)
Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB
Low Mid 90 Hz to 1.2 kHz, ±15 dB
High Mid 380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
FireWire S400, 400 Mb/s
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24
Reference Level for 0 dBFS +18 dBu
Clock
Jitter <20 ps rms (20 Hz – 20 kHz)
Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)
Power/Environmental
Connector IEC
Input-Voltage Range 100 to 240V, 50-60 Hz
Power Requirements (continuous) 100W
Temperature Range 0-40 degrees Celsius
Physical
Length 22.35 inches (568.06 mm)
Width (chassis only) 17.22 inches (437.40 mm)
Width (with rack ears) 19 inches (482.60 mm)
Maximum Height 6.90 inches (175.26 mm)
Weight
23 lbs
Browse through our range or packages and start planning your event with True Sound Hire today
Can‘t find what you’re looking for? Call or drop us an email to discuss your event production sound and light hire requirements
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